The second part had maybe six retakes on the whole show, which is incredible," said producer Bruce Timm.
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TMS did the best animation of the series for this episode.
Then he decides to go after Daggett himself, when the corporate bad guy is doing a talk show. He runs afoul of Batman who stops him from carrying out his vengeance. Directed by Kevin Altieri.Īfter Matt Hagen discovers he has been turned into Clayface, he goes after Daggett's men. Story by Marv Wolfman and Michael Reaves. Almost all of the later DCAU stuff were stone by the same two or three Korean studios, devoid of the animator's soul. It took a while, but they managed to refine the process of being 'consistently mediocre' rather than 'inconsistently good', as they were with the occasional TMS episode led by Tanaka Atsuko or Aoyama Hiroyuki. Timm and the others began outsourcing to Korean studios that were getting better and better at doing what they wanted: being drones that did exactly as told. The instance you are referring to is simply a key animator drawing off model.Maybe you are correct, but I don't recall seeing DCAU characters horrendously off model or the Batmobile bending when the switch was made to digital. The drawings are only corrected by the animation supervisors/directors, there is no changes made by working on cels or digital. This has nothing to do with cel animation. For instance, I remember at least one time where the batmobile turns a corner and bends when the car should stay straight and solid. There would also be a weird rubbery quality to some things that should be solid. It happened numerous times on Batman: The animated series. ABED wrote:I love older animation, but one of the problems with it is (as far as I have seen) is that it's easier with cell animation to be "off model".